“What do you think of him?” he said, without looking at her. The nurse shot her a swift glance. “I’m glad of that,” she said dryly. She let Joan go upstairs.!

The cawing of the rooks grew fainter. One by one they folded their wings. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.

And suddenly something lying hidden there leaped to life within her brain. A mad desire surged hold of her to rise and shout defiance at those three thousand pairs of hostile eyes confronting her. She clutched at the arms of her chair and so kept her seat. The pibroch ended with its wild sad notes of wailing, and slowly the mist cleared from her eyes, and the stage was empty. A strange hush had fallen on the house. “God is knocking at your heart, but you will not open to Him. You have filled your hearts with love of self. There is no room for Him to enter in.” “She was studying for the stage,” he answered. “Paris was the only school in those days. I was at Julien’s studio. We acted together for some charity. I had always been fond of it. An American manager who was present offered us both an engagement, and I thought it would be a change and that I could combine the two arts.”